« Blue Booth » is set in a universe that questions the transition between overlapping realities, between the inner and outer dimensions of man. This work, created in 3D, is an invitation to reflect on current societal issues, while addressing deep psychological questions. The public telephone, once a central object in human communication, is here in an advanced state of decay, like a relic of the past. In an apocalyptic environment, the phone booth is the only point of light seeking to capture the viewer’s attention. The object is both a witness to the disintegration of the old world, and the silence of an uncertain future.

A striking feature of the work lies in the absence of humans in this devastated scene. Although the bicycle leans against the phone booth, no human being is present to use it. This absence strengthens the feeling of emptiness and abandonment. The bicycle, an element typically associated with the individual and activity, becomes a symbol of man’s presence without flesh, a trace of his passage, but not of his active presence. The work thus evokes a disconnected society, where communication seems to have ceased, and where the individual, though still marked by the remnants of his actions, seems to have disappeared or faded away.

This absence creates a tension between the objectivity of the object, and the subjectivity of the situation. The viewer is then confronted with a scene where everything indicates the presence of man, but where he is deliberately absent. This absence becomes a key element of reflection: silence, isolation, and the inaccessibility of communication, are they conscious choices, or are they an inevitable consequence of the crumbling modern world?

Through this emptiness, the work raises profound questions about the place of the individual in an increasingly fragmented world. It can be seen as an allegory of isolation, social withdrawal, or even the gradual disappearance of humanity in the face of the relentless advance of societal challenges.

The work addresses themes of isolation, the failure of old systems, and the transformation of our society in the face of growing global crises. Through this devastated landscape, I speak of an era where old social and economic structures are shaken, but also of the inner transformation process implied by this destabilization. It is through this collective uncertainty that the individual is called to reinvent their own identity and role in a changing world.

« Blue Booth » is at once poetic and unsettling, a mirror of our time and of the individual confronted with the social and psychological transformations of our world. Through this representation, I seek to pose questions more than provide answers, to invite the viewer to confront their own relationship to the world and to their reality. The absence of the individual, marked by the solitary presence of the bicycle, amplifies the emptiness and isolation, and reinforces the call for reflection on everyone’s role in a world that is fragmenting.